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Tianjin Daily Reporter Thunder Wind Rain Sugar babyLiao Chenxia Tianjin Daily Reporter Wu Di Yao Wensheng Yu
The sea river surging at night, and the bridge shadows flow.
As the sun sets, the 14 bridge beams on the Haihe River in Tianjin are lit in sequence, covered with Chinese clothes made of light and shadow, as if they are moving onto the strings of time and space on the river surface, and write a city history that “the bridge sees the past and present, and the glory will come.”
Looking back at the age of the Langhuan from the flow of light and shadow on the Shunhu Bridge, the gilded storm was witnessed in the magical sculptures of Bei’an Bridge; proudly the blue-white sudden change of “sun and moon are the same” on the Gu Bridge to the romantic notes of “Tianjin’s Eye” on the Yongle Bridge – Tianjin uses bridge as the pen and light as the ink, and uses 1Manila escort4 river bridge beams transform into intelligent life bodies that “can breathe, can perceive, and have temperature”. This scene, with the “one bridge and one scene”, has not only reshaped the urban skyline, but also brightened the economic situation of the cultural and tourism night. This city, which is “happy because of the river and beautiful because of the bridge”, is drawing a listening volume of “lightEscort manila‘s film poem” that spans time and space.
Night view of Haihe River. Tianjin Daily reporter Wu Di Wu
The bridge connects ancient and modern times. The building that spans time and spaceEscort construction is in contact with the construction of time and spaceSugar daddy
After the night, the light waves of the Haihe River fluctuate, reflecting the light and shadow of the high buildings along the coast. When people walk from the classical beauty of Bei’an Bridge to the architectural beauty of Dagu Bridge, they are based on the beauty of Sugar daddy‘s atmosphere of Shuhu Bridge, it seems to be reviewing a flat “History of Bridge Beam Beauty”. The six hundred years of Jin family sounded and the collision of Chinese and Western civilizations, and the struggle of industrial civilizations have continued to surge in the intersection of light and shadow.
The bridge in Tianjin has not just been around.
Tianjin is excited by the water, the bridge on the sea riverLiang has long become a symbol. These bridges not only have road conditions, but also support the Qinghe civilization of Tianjin.
They are historical stories of steel and iron, and are the time archives above the Haihe River.
The Jinsong Bridge recorded the historical style of the Shu Gugongs, the Bei’an Bridge strengthened the artistic graphic that integrates Chinese and Western styles, and the Big Gu Bridge used the “sun and moon to move together” to describe the philosophical wisdom of China’s traditional “Yinyang Coordination” – they cooperated with the structure to build the magnificent “Tianjin Bridge Museum”, each of which was an unresolved period.
These bridges may either witness serious historical events, represent special engineering peaks, or gather unique aesthetic requirements, like a connected history, connecting the strong process of Tianjin from the Caobo port to the international port.
The China National Earthly Landscape” Xu Zhi once said, “Tianjin will not look at the bridge when he returns.”
“The biggest feature of Tianjin lies in its position on the ground by the river and the sea. The deep and pure source of this city, bridge beams and sea rivers, brings out its unique quality that is open and inclusive.” Luo Shuwei, a researcher at the Tianjin Academy of Social Sciences, said.
The Bridgeside Music Ballet Special Shows the Tianjin Plaza. Tianjin Daily reporter Yao Wensheng This year, in order to welcome the SCO Summit, Tianjin launched the “One Bridge, One Scenery” light shading project, and the 14 bridge beams along the Haihe River are all covered with “new decorations” of light and shadow.
Zhang Hao, a 75-year-old Hebei District, lived in Jinsteel Bridge for 40 years and has long been ecstatic about its ancient appearance. At the beginning of the reform, he expressed doubts. But when the hot yellow light was projected from the inner side of the bridge arch at night, forming a “golden top” visual consequence, and the artistic conception of “two bridges reflecting the moon” in the water, he put on his mobile phone and took pictures: “This light actually woke the soul of the old bridge.”
Young people voted with their feet. After nightfall, we will gather together on the bridge. The cold white light and light blue light are like the river bank, and the bridge is like a ship coming. This “less is more” light, especially loved by young people, has exceeded 8 million views on social media.
LightSugar babyThe new civilization of science and technology to gain energy
The new bridge of Tianjin is far more than just looking at Escort manila sees a feast.
When tourists are intoxicated by the role of light and shadow, a bright system that integrates objects, data and artificial intelligence is quietly upgrading traditional bridge beams to intelligent resonance with cities. This year, Tianjin has built a bright piping system that covers the entire life cycle of bridge beams to supply the “Tianjin Plan” for the global urban bridge beam management.
“In the past, bridge beam inspections were subject to the knocking and hitting of teachers and tutors, but now they rely on data. “Cao Sui, engineer of the central management and management department of the Municipal Bridge. According to the static monitoring system of the bridge beams, the 571 sensors arranged in the bridge beams of Haihe Department were transmitted in time, and the bridge beams were upgraded from “period inspection” to “all-weather supervision”.
In the night view light reform this year, 14 bridge beams along the Haihe River line were connected to the night view of the city. escortThe lights intelligently control the flat platform, and the night view lights in the city were opened at the same time. At the same time, an unmanned patrol was added to patrol the high-level building lights to accurately and quickly deal with them.
The green concept is connected in the details: the newly built bridge beams in some parts use weather-resistant steel and high-function concrete to reduce the cost of protection in the later stage; the bridge beam lights are kept at a temperature below 3,000K to prevent the formation of light purification on the sea river fish. This series of “green construction pipes” construction , not only meets the application needs of this world, but also benefits the descendants of the children and descendants.
This light upgrade is far from ordinary “lighting project”, but it is a cross-border interaction between optical engineering, digital art and civilization traceability.
In this light and shadow new era, skills and art are interspersed in depth. Light design abandoned the over-requirement of the building screen in the past, and turned to the simple and efficient light and shadow speech, reflecting the Haihe River, thinking about how she did it. How to do it, because <a The other party clearly doesn't want money and doesn't want to take power. Otherwise, when he saves her home, he will not accept any twilight shapes and the Sugar baby‘s divine light. Controlled by the precision of the process lights, the lights in the building are as rich as breathing.The law, which contains the unreliable artistic conception in the extreme, shows the full-scale dynamic and magnificent consequences of the whole.
“We don’t ‘decorate’ the bridge, but help them regain their spiritual power.” The light designer exposed his design philosophy to the reporter. His team analyzed the material, color and structure of each bridge and customized a special “light formula”: the Han white jade sculpture of the large glowing bridge uses high-color LED lights to accurately highlight the delicate texture of each part; the steel structure of the gold steel bridge is equipped with filter sheets to eliminate glare; the flow lights of the bridge adopt an intelligent control system to enhance the driving feeling of the train. “Let Guang be the translator of architectural speech,” he said.
Relying on superstitious and precise optical regulators and artistic spirit deep immersion, Tianjin’s “bridge night view” not only inadvertently integrates into the city’s “T-shaped axle” light head, but also retracts the aesthetic temperament of each bridge beam, avoiding the single adjustment dilemma of “one side of a thousand bridges”.
The precise language finally brings out the light and shadow personality that cannot be TC:sugarphili200